Writing What You Don't Know - Researching Locations by Louise Marley

The first time I heard 'write what you know', I was a teenager working as a typist for the local council. Did that mean I could only write about typists? How incredibly boring! But as it turned out, I 'knew' quite a lot. I knew what it felt like to fall in love, to be dumped, to lose a much loved member of my family - all those life experiences authors recycle into their books. When I crashed my car, I wrote about it in A Girl's Best Friend, along with my own experiences of what it felt like to be betrayed by a friend. When I lived in Bath I wrote about that too (along with all those movies and TV dramas I had seen filmed there), in Why Do Fools Fall in Love. And, being a writer, what I didn't know I made up.

So far, so good. But what happens when you have to write about something you don't know? When you have to do some actual *whisper it* research?

When I was asked to contribute to the Sunlounger anthologies (along with my fellow Novelista, Valerie-Anne Baglietto), the brief was to write a story set in a holiday destination. No problem, I'd just come back from a holiday in Sorrento, I'd write about that (The Indecent Proposal). Well, as it turned out, it's one thing going on holiday somewhere, quite another to have to write a story about it. I dug out my holiday photos and wrote notes about everything I remembered, but it wasn't enough. I had to do some research.

In the old days I'd have headed for the library; nowadays everything is easily available online. Maybe a little too easily, because there is one huge problem with information on the Internet. It's not always accurate. (Shocker!) So I have a rule of three - check facts three times from three different sources.

When it came to writing my story for Sunlounger 2 (The Accidental Proposal) I approached it differently. I'd have my characters arrive in New Orleans as tourists and I worked out an itinerary for them. (You can see my original notes for that here). Of course, that threw up a whole load of new problems. In my original story I had them visiting one of the famous cemeteries at night - it turns out they shut at night! There was a scene where the characters are standing in the street drinking cocktails. In some States that's illegal but fortunately (at the time of writing) it wasn't illegal in New Orleans. There was another scene I'd set beside the tomb of the famous Marie Laveau but vandals had just painted it pink! So, should I make the tomb pink in my story - to prove I'd done my research and show how clever I was? In the end, I decided the authorities were just as likely to repaint it white, and even mentioning the fact that it had ever been pink (no matter how deliciously quirky) it was likely to detract from the story.

So the moral is, always check your facts. It's no good assuming an editor will spot any mistakes in your research - it's not their job! If you're not careful, the first person to spot them will be your reader - and they won't hesitate in pointing them out to you - usually in a one star review.

But no matter how brilliant your research, nothing compares to visiting a location yourself! If you do get that chance, then I recommend taking lots of photos and making lots of notes - and it is the perfect excuse for a holiday!

Online Resources

Google Earth - Perfect for 3D images of locations. Many of cities also have 'street view' allowing you to 'walk' about. Bear in mind the images are often a few years old - if you look for my house, all you'll see is a field!

Pinterest - A great resource for images and you can create mood boards (I've blogged about Pinterest here). The photos often link to blogs.

Travel blogs - A brilliant resource but remember they are opinion pieces, read more than one if you want to view your location through your character's eyes, not the blogger's!

Travel agent websites - for hotels and tourists' itineraries (if you're writing about tourists!)

Tourist Board websites - Obviously!




Why Pixel is a Four-Letter Word by Louise Marley

When I first decided to self-publish it didn’t actually occur to me I’d have to do everything myself. I soon found out that while I owned the rights to my traditionally published books, I didn’t own the original cover art. I would have to produce my own. I might have a GCSE in art, but there is a reason my entire house is painted in magnolia and that I only ever wear black. But, you know, whatever! How hard can it be to design a book cover?

I soon found out.

The part that took the longest was sourcing the illustrations. The girl on the cover had to look something like my heroine, but not be too cute and certainly not too slutty! She had to appear friendly, but also as though she’s up to no good.

This was my first attempt for Why Do Fools Fall in Love. The original illustration cost me £30. It was on a white background, which was fine, but Amazon stated that any white cover had to have a black border around it, and at that stage I hadn’t a clue how to fix that. I decided to change the background to pale blue which, with hindsight, looks terribly wishy-washy.

A year later and I wanted my covers to appear more similar, like a ‘brand’. I therefore redesigned Why Do Fools Fall in Love and Smoke Gets in Your Eyes to match A Girl’s Best Friend.
 

Smoke Gets in Your Eyes was simple. I took three illustrations - a man, a woman and some smoke (see what I did there?) and set them against a black background.

Why Do Fools Fall in Love proved more difficult. I bought a new background illustration because I liked the trees with the fairy lights, but when I added the hero and heroine it looked too ‘busy’. It also had the Eiffel tower in it and my book is set in Bath! So I stripped everything away until I was left with the trees - and then I put back the fence because it looked too bare. And the fence did have little hearts on it, which went with the title. Coloured jeans were in fashion, so I changed my heroine’s to yellow, which I also hoped would make the cover look less Christmassy. One of the tricks I’d picked up since my first effort was to use as few colours as possible, so my hero got a makeover too and ended up in urban black and grey.

 

I experimented with different background colours and decided on a rather classy dark blue to resemble the evening sky. Unfortunately, once the cover had gone through two software programs the dark-blue turned purple! My computer then crashed three times over the course of a weekend, losing all my work. It was coming up to Christmas and I had a mass of deadlines, so in the end I just muttered something that didn’t sound remotely like ‘whatever’ and hit ‘publish’.

I’ve now designed the covers for most of my books. I could admit it’s because I’m a complete control freak, but do you know what? Despite all the cursing and complaining I actually enjoy doing it!

 

 





 

 

 

Book Jacket Photos: Louise Marley

Illustrations: iStockphoto